Derived from the artist’s journeys to Afghanistan, Monsters of the Id tests our expectations of cinematic and media representation, presenting a series of new works that experiment with advanced display technologies. The exhibition captures the disorientation of a civilian observer within a militarised environment.
Upon entering the gallery, visitors are immersed in a landscape that crosses the physical and the virtual. The disquieting Observer Effect presents viewers with a projected image of a distant, self-absorbed population. As audiences remain within the space, this virtual community grows in number and becomes distracted by their presence.
Searchlight 2 reveals illusory human shadows traversing a low platform terrain, suggestive of the desert landscape as seen by an aerial drone. The unnerving movements of this unidentified population are computer-generated and directly mirror the actions seen in Observer Effect.
Apparent Horizon renders immersive, virtualised vistas of a desert landscape. As viewers, our role hovers between sublime reverie and the quiet anxiety between of periods of violence. The exhibition ends with a final cinematic flourish, enabling visitors to consider their role in the exhibition and its dialogue of control, observation truth and contradiction.