Archive for February, 2012

David Cotterrell: Monsters of the Id – John Hansard Gallery – 11th February to 31st March 2012

Tuesday, February 14th, 2012

hidrazone, konczak, art, photography, David Cotterrell: Monsters of the Id
hidrazone, konczak, art, photography, David Cotterrell: Monsters of the Id
hidrazone, konczak, art, photography, David Cotterrell: Monsters of the Id

 

http://www.hansardgallery.org.uk/exhibition/current.html

Derived from the artist’s journeys to Afghanistan, Monsters of the Id tests our expectations of cinematic and media representation, presenting a series of new works that experiment with advanced display technologies. The exhibition captures the disorientation of a civilian observer within a militarised environment.

Upon entering the gallery, visitors are immersed in a landscape that crosses the physical and the virtual. The disquieting Observer Effect presents viewers with a projected image of a distant, self-absorbed population. As audiences remain within the space, this virtual community grows in number and becomes distracted by their presence.

Searchlight 2 reveals illusory human shadows traversing a low platform terrain, suggestive of the desert landscape as seen by an aerial drone. The unnerving movements of this unidentified population are computer-generated and directly mirror the actions seen in Observer Effect.

Apparent Horizon renders immersive, virtualised vistas of a desert landscape. As viewers, our role hovers between sublime reverie and the quiet anxiety between of periods of violence. The exhibition ends with a final cinematic flourish, enabling visitors to consider their role in the exhibition and its dialogue of control, observation truth and contradiction.

Ori Gersht: This Storm Is What We Call Progress – Imperial War Museum – 25th Jan to 29th April 2012

Tuesday, February 14th, 2012

hidrazone, konczak, art, photography, ori gershthttp://www.iwm.org.uk/exhibitions/ori-gersht-this-storm-is-what-we-call-progress

Gersht’s work often deals with conflict, history and geographical place. The three central works in this new exhibition each disguise dark and complex themes beneath seductive, beautiful imagery.

Will You Dance For Me? depicts an 85-year-old dancer rocking back and forth in a chair, slowly recounting her experiences as a young woman in Auschwitz. Her punishment for refusing to dance at an SS officer’s party was to stand barefoot in the snow, and she pledged that if she survived she would dedicate her life to dance.

The two-screen film Evaders explores the mountainous path of the Lister Route, used by many to escape Nazi-occupied France. The film focuses on the ill-fated journey of Jewish writer and philosopher Walter Benjamin, whose own words give the exhibition its title.

The photographic work Chasing Good Fortune examines the shifting symbolism of Japanese cherry blossoms, which came to be linked with Kamikaze soldiers during the Second World War.

Kinetica Art Fair – 9th to 12th February 2012

Friday, February 10th, 2012

hidrazone, konczak, art, photography, kinetica
hidrazone, konczak, art, photography, kinetica
hidrazone, konczak, art, photography, kinetica
hidrazone, konczak, art, photography, kinetica
hidrazone, konczak, art, photography, kinetica
hidrazone, konczak, art, photography, kinetica
hidrazone, konczak, art, photography, kinetica
hidrazone, konczak, art, photography, kinetica
hidrazone, konczak, art, photography, kinetica
http://www.kinetica-artfair.com/

Kinetica Art Fair is produced by Kinetica Museum and is the first of its kind in the UK. It brings together galleries, art organisations and curatorial groups from around the world who focus on kinetic, electronic, robotic, sound, light, time-based and multi-disciplinary new media art, science and technology.