http://www.tate.org.uk

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The Robinson Institute’s researchers have revisited Robinson’s last known journey, presenting his findings and film footage as an exhibition that features works by artists, mainly from Tate’s collection; writers, historians, geographers, cartographers and geologists; and a variety of other objects.

Audiences are invited to retrace Robinson’s steps and consider the connections that he makes. For example, the 1795 amendment to the Settlement Act, which enabled the rural poor to migrate more easily to industrial towns and cities, is shown alongside an unusually large meteorite that fell the same year. Robinson’s discovery of the Boyle-Hooke commemoration plaque on Oxford’s High Street, which celebrates two of England’s most important scientists, triggers further consideration of the historical events that led to the Industrial Revolution, as his photograph of the memorial site is juxtaposed with Ed Ruscha’s Mad Scientist 1975 and L.S. Lowry’s Industrial Landscape 1955.
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http://www.carrollfletcher.com/

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In Anonymous, untitled, dimensions variable – an exhibition with a daily changing title – artist-provocateurs Eva and Franco Mattes aka 0100101110101101.ORG disrupt the safe environment and conventions of the art gallery. In a compelling cacophony of facts and fictions, performances are held in videogames, images are appropriated from random personal computers, a webcam suicide is simulated, fake sculptures are attributed to revered artists and potentially toxic artifacts sit next to stolen fragments of precious artworks and a hacked arcade game. Eva and Franco Mattes’ first exhibition in London explores the unfolding narratives and unforeseen consequences of their interventions and subversive hoaxes in physical and virtual space.

Every day throughout the exhibition, Eva and Franco Mattes will change the title of the show to emphasize the evolving, participatory nature of their works. The titles will be made public in the gallery space and on this blog, both platforms are open to the audience’s comments and feedback.
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http://www.p3exhibitions.com/

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1001 TV Sets (End Piece)’ features 1001 cathode ray tube TV sets of all ages and conditions, filling the massive Ambika P3 subterranean space. The TVs had been tuned to different analogue stations that played randomly in a cacophony of electronic signals. The signals gradually reduced between 4 and 18 April 2012, as the final analogue signals were broadcast from London’s Crystal Palace.
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